
What is the relationship between self and music? How might music offer a model of making meaning that is outside a narrative structure? How might music relate or mediate between the bodily self and the self of the soul, between Nature and the self?
Initially, DJ Meagan, MC Jack and I were interested in remixing Whitman in terms of Whitman's relationship to music. After playing a few tracks on the Walt Whitman Archive I found the notion of memory and its role in constructing self or identity particularly fascinating especially in terms of Song.
Does Walt dance to remember or dance to forget?
According to Token X the words forget, forgot, memory, and remember were used increasingly as each version of Leaves of Grass was published. The only word that decreased in occurrence is remembrance as shown in this chart:
word | 1855 | 1856 | 1860 | 1867 | 1871-72 | 1881-82 | 1891-92 | TOTAL |
forget | 4 | 5 | 13 | 15 | 17 | 18 | 21 | 93 |
forgot | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
memory | 0 | 0 | 2 | 3 | 4 | 4 | 9 | 22 |
remember | 5 | 13 | 19 | 15 | 16 | 17 | 17 | 102 |
remembrance | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 9 |
Because remembrance is the anomaly in this search I chose to follow the little white rabbit. In the 1855 version of "Song of Myself" Whitman uses this word in the following lines:
...but always his encouragement and support. The outset and remembrance are there...there the arms that lifted him first...
...and reflectors and the polite float off and leave no remembrance. America prepares with composure and goodwill for the visitors...
...had not work to give her but she gave remembrance and fondness...
Yet the only line that lasts beyond the 1855 version according to Token X is the third line. I speculate that as time passes and Whitman grows older and wiser he finds less encouragement and support from others and becomes a little disillusioned by America's so called kindness to others. After all, it is within the next ten years after this first publication that George, Walt's brother enlists in the military and President Lincoln is assassinated.
As I was trying to explore these occurrences in further context than what Token X provides, I discovered the 1855 version of Leaves of Grass actually has 5 occurrences of the word remembrance, however the two occurrences Token X left out can be explained by the slight deviations of the word to remembrancer and remembrancers. The entire 1855 manuscript is posted online and my Mac's "Command F" allowed me to search for the word and its deviations myself.
The two lines that were not found by Token X are the following:
A scented gift and remembrancer designedly dropped, Bearing the ownder’s name someway in the corners, that we may remark, and say Whose?
Not too exclusive toward the reachers of my remembrancers,
According to Token X these words remain through each of the different publications of Whitman's text but they do not occur more than once in any version. Though I chose to follow the white rabbit of remembrance I was even more intrigued by the increase in the other words I searched for pertaining to memory and forgetting. What is so incredible about the Archive hosting each version of Whitman's published Leaves of Grass is that we can see when and where the increases happen.
We can cross reference these occurrences with Whitman's biographical information also provided by the Archive. This is where I paralleled the removal of the pseudo patriotic line with Whitman's possible disillusionment due to his brother George and President Lincoln. While George is at war, he writes letters cataloged by the Archive under Correspondence. At one time George tells Walt, "I have been away on Court Martial you know" and though it might be a stretch to associate an event in Walt Whitman's chronology as a cause that produces a direct effect on the different renditions of Leaves of Grass the proof is in the pudding. All the evidence is available right there on the archive.
As you can tell, this blog follows a rather schizophrenic thought process that deviates quite far from our original questions regarding music and Whitman. This is a virtue of the Archive. Research is unpredictable and this is method caters to exactly that.